Waved Out
(1998, Matador Records)
Returning to Matador Records for his sophomore solo outing, this would be the last solo effort before Pollard jumped ship and started putting out solo/side-projects at a delightfully nauseating pace. Unlike its predecessor, 1998's Waved Out is a more consistent LP in dynamics, and pacing. However, it lacks the spontaneity, and short, pop gems that made Not In My Airforce so great . In lieu of snippet, lo-fi offerings, the LP
consists of longer tracks, running the gamut of the rock realm (something Pollard would
become known for on his solo offerings); a balance between
wizardry pop, solid indie rock, noise rock, and moody dirges,
Waved Out is a fine followup in the cannon, although not without
a few head-scratching moments.
SIDE
A:
Make
Use- 4 After
the lo-fi fragmented affair of Not
In My Airforce, Waved
Out kicks
things off with a genuine studio recording, much fuller, bigger. Also
present, some of the proggier elements Pollard would begin to
saturate into his solo efforts. “Make Use” is a slow moving
piece, accented by pounding tempos, and delicately picked minor
chords. The chorus is extremely massive, and much invited after a
verse that kind of feels like its crawling.
Vibration
in the Woods- 3 Shorter
song with simple guitar stabs over lo-fi drum hits in the background.
Creepyily and easily catchy.
Just
Say the Word- 2 A
slow moving song that’s about the darkest Pollard had ever sounded
up to this point. Was he wearing his wizard cloak for this recording?
Be warned; annoying sound effects in the background will most likely
REALLY get to you.
Subspace
Biographies- 5 Steady,
pop-prog song with great guitar leads, and huge choruses that rank
among some of the best of Pollard’s solo output. Not to be missed.
Add bonus points for the lyric “Stoned Comedian Ringo.” Only
you, Bob. Only you.
Caught
Wages Again-3 Bizarre,
woodsy lo-fi folk. The kind of folk suitable for the Sci-fi channel,
if you will. Cool little home recorded gem. Not one to be put on
repeat necessarily, but still a nice one to revisit.
Waved
Out- 5 Holy
SHIT! So simple. So fucking good. One minute plus, uptempo two chord
stomper, mindnumbingly good ripped jeans, garage rock gem.
Whiskey
Ships- 3 Early
'00s GBV sounding track, that’s both familiar in its tone and
delivery. The drawback, out of place, upwardly mobile guitar riffs
and more unwelcome noise pieces popping in and out of the track that
feel arbitrary.
Wrinkled
Ghost- 3 Lo-fi
and easy pop song with effectively charming layered keyboard parts.
Artificial
Light- 2 Depressing,
gently picked guitar meets a vocal track that doesn’t go
anywhere. Put this in the dustbin of the history of zzz's.
SIDE
B:
People
Are Leaving- 3 Schmaltzy,
piano and ride cymbal lounge type number with dual Pollard vocals
that mash two different vocal lines on top of each other. Sounds like
a subpar McCartney tune, but pretty goddamn catchy after a few
listens. “Gift to every naked fat baby” line is the definition of
torture though, and opposite of aforementioned "stoned
comedian Ringo" line.
Steeple
of Knives- 2 "Hard
rocker” that comes off sounding far too annoyingly hokey and
forgettable.
Rumbling
Joker- 1 Moody
song at a snail’s crawl. A bit of bad-Bowie meets ‘70s lounge
rock. Very cold…………………………………… Sorry
nodded off there.
Showbiz
Opera Walrus- 1 HAHAHAHA
Bob Pollard does Tom Waits in space? “Being For the Benefit
of Mr. Kite,” animal noises thrown in for good measure. Kinda like this, but c'mon! Good
God!
Pick
Seeds From My Skull- 4 Eerily
distant and haunting, but in a great way. A downcast piece with
acoustic guitar and lazily strung together melodies, and awesome
lyrics. Sounds like a Rob Crow solo song.
Second
Step Next Language- 3 Lengthy closer sounds like
it’s broadcast through a broken transistor radio, so that fucking
rules. Fuzzy guitars meander along, as noise begins to pop up.
The track begins to fall into a surreal ambient ditty.
Such an amazing record. You really nailed the description of some of its most elusive tracks (Waved Out and Pick Seeds), but I would give 5 to Make Use and Whiskey Ships (which are as good as Subspace) and 4 to Vibrations, Caught Waves, Wrinkled Ghosts, People Are Leaving, Rumbling Joker (a 1, really?) and Second Step Next Language (which is really close to a 5).
ReplyDeleteShowbiz Opera Walrus is the only skipper. Mediocre tracks such as Just Say the Word or Steeple of Knives flow very nicely as well.
I really don't listen to this album often enough. Fucking masterpiece. One of ones I take for granted cos it's not as immediately catchy as "not in my airforce." I'm listening to "Second Step..." right now. I like that surreal ambient ditty. just when it risks going on a bit too long, that guitar comes out of nowhere and makes the tune.
ReplyDelete"just say the word" is creepy and atmospheric.
ReplyDeleteRumbling Joker is exquisite. The best trudger Pollard ever did.
ReplyDelete