Turn To Red
(2006, Fading Captain Series)
The
Takeovers were a short lived side-project, featuring Robert Pollard and Chris Slusareno (GBV, Boston Spaceships). Pollard would write the demo sketches, mail them to Slusarenko, who'd then flesh out
the songs, recording all instrumentation.
Turn To Red was the first of
two The Takeovers LPs released in the span of a year. It's a
grab bag of punk, lo-fi, noise jams, and off-beat pop. The
Takeovers LPs lacked any semblance of direction that was achieved
once Slusarenko and Pollard teamed up in 2008 to do Boston
Spaceships. Some bright moments on this though. Released on CD
and LP.
Side
A:
Do
You Get Your Wish?- 2 Acoustic
strums with voice over and various mystic sounding choral harmonies behind said spoken word. Not really a song. Mildly humorous. Acceptable
for an intro. How to rate it? I don’t know. I wasn’t
irritated.
Insane/Cool
It- 3 Lo-fi
garage rock tune. Fueled by simplistic chord
progressions. Decent song in the vein of late ‘60’s/early ‘70’s
“cruising” song. If from another time, could have been on the
“Dazed and Confused” soundtrack or some other appropriate period piece.
First
Spill is Free- 2 Repetitive,
minor chord jangly number. The spelling song, if you will. Not the dregs terrible, but not much of note here.
Mojo
Police- 2 Some pretty worthless Butthole Surfers, slide guitar madness for the
chorus. Bunch of noises, percussion, and pointless shit pops up.
Scuff
With Nature- 4 One
of my favorite openings and verses of the Pollard side-project cannon.
Very reminiscent of GBV-tunes..
However, deduct one point for the idiotic lyrics that I often find
myself singing out loud at inopportune times.
Sweet
Jelly- 1 Features what sounds like a group
of men talking. Bullshit's then played on an acoustic guitar. Suitable for
the dumpster.
Side
B:
Fairly
Blacking Out- 4 Harder,
hookier number. Pure gold compared to most of the arbitrary stuff on Side A. Probably the most “normal” of the songs on here.
Wig
Stomper- 1 Uncle
Bob doing some bullshit drunken scat nonsense on an answering machine
and releasing it as a song. I’m not kidding. PLEASE.
The
Public Dance- 1 Piano
intro into noisy jam weirdness. Sub-par Circus Devils material for
sure. Oh brother.
Be
It Not for the Serpentine Rain Dodger- 5 Vintage
Pollard abounds in this airy pop song with see-sawing guitar riffs,
and bright choruses. Lo-fi charm too boot. If only The
Takeovers capitalized on this rather than rattled ideas.
Bullfighter’s
Cut- 1
6
minutes of snoozy, dragging crap with trumpet at the end for good measure? Oh
god. Song's on cruise control and downers heading straight for dead man's curve.
Jancy- 2 Helium
voiced, ultra-British Pollard sounds more humorous than anything.
Songs pretty much a wasted scrap and a crap closer.
I really like the variety and "anything goes nature" of this album. Listening to side 2 right now. Great musicianship on "Fairly Blacking Out".
ReplyDeleteI really like Public Dance.
ReplyDeleteRobert Pollard's facebook page a few days ago posted "She Don't Know Your Name," an early version of "Be It Not for the Serpentine Rain Dodger." Great song, and I like the (original) title. Anyone know if it's ever been officially released?
ReplyDeleteI still like "Public Dance."
ReplyDeleteI even like "Bullfighter's Cut." At least the first 30 seconds.
ReplyDeleteTakeovers on all cylinders on "Be It not for..."
ReplyDeleteInsane Cool/It is insanely cool.
ReplyDelete